Pyjamas

My doona covers tend to not wear out evenly all over, because DH perspires a lot during the night, which means that the top of his cover gets weak and tears while the rest is still good. Sometimes I can patch it, but often I have to replace the doona covers, which leaves me with a lot of fabric on my hands. One lot I made into furoshiki, Japanese wrapping cloths, to cut down my use of plastic bags, and some has been good for muslins. This particular fabric yielded summer and winter pyjamas, a nightie and a top.

So here are the summer pyjamas, authentically rumpled and photographed one morning before getting into the shower. The top is based once again on the Tessuti Mandy Tee with a cuff instead of sleeves, and the pants on my Vogue 8712, my favourite pants pattern but unfortunately OOP, cropped short. Any wide leg pants, elasticised at the top for comfort, would be similar if cropped to above ankle length.

The fabric came from IKEA and originally made lovely bedding, and now has a second life as equally lovely night wear.

New Toy!

Fabric painting and block printing have been a favourite of mine for the last couple of years, but I always wanted to expand into screen printing. This is because block printing does not deliver the same thick coat of paint that screen printing can, and lots of fabrics, particularly knits, need this for a printed motif to look solid with a crisp edge.

I used to screen print years ago and know that it is not really difficult, but getting it going needs a bit of time and energy. First I needed some means of creating a screen printing stencil or mask. I did not fancy the light sensitive solution method, which is a photographic process where you expose the screen with the dried solution to light, which hardens it, and then wash away the unexposed bits where you want the paint to penetrate. This is because I don’t have anything I can use as a darkroom, a light box for the exposure needs to be kept somewhere and I am too impatient to apply the solution, wait for it to dry, wash out the screen and wait for it to dry again before I can print.

So I decided to go the route of a cut stencil, but I didn’t want to cut it by hand either. I had been eyeing the various stencil cutting machines on the market for craft, but decided they were too pricey in Australia, and on top of that the companies force you into buying lots of expensive proprietary consumables once you have invested in the machine.

But these days I buy lots of inexpensive sewing and art materials via Aliexpress, and when I went looking for a cutting machine there were quite a few to choose from. It was a bit of a gamble, but I have very rarely been disappointed with my purchases, so I decided to risk it. Aliexpress seems to keep a tight reign on their suppliers to provide a useable product of reasonable quality when you purchase through them.  So I bought the following machine, called a cutting plotter, and marketed to businesses for displays and advertising materials.

It cost around AUD 220 including the software, cables and some spare knives, and arrived in a week! Then it took a weekend to learn the software and set up the machine, find the right material for stencils and generally get going. That was the easy part.

The next weekend I wanted to screen print with the stencil I had cut, only to find that tesselating my motifs into an all over pattern on my fabric was a lot more difficult than I had anticipated. It is easy when block printing because you stamp the motifs one by one and all you really have to worry about is to space them regularly. But with the screen I had wanted to print several motifs at once to save work, then repeat each screen to create an even pattern. Not easily done! Parts of the screen need to be placed on previously printed areas, they pick up paint and when you put the screen down again the paint gets on the fabric — not good! I tried covering wet prints with newspaper, but because the screen is pressed down with some force the paper sticks and pulls the tacky paint off the fabric. Arghhhh!

Then I discovered that the grey ink I was wanting to print with was thick and gluggy and probably past its use by date. Double arghhh!

But I had a Plan B with a pattern easier to tesselate, which turned out to be something I could have easily cut out by hand, but Rome was not built in a day! I could print it in black, of which I had plenty of ink in good condition and so I managed to print a pair of PJs I had cut out. Although nobody could possibly mistake it for a professional job I was reasonably pleased with the result. I learnt quite a bit, along with what not to do, and got better as I went along.

The print quality is not great, lots of ragged edges, little smudges, bits that didn’t print properly like you can see on my thigh just below the hem of the top. Black on white it is all very noticeable and I am thinking I might dye the Pjs a darkish grey blue which will disguise a lot of the oopsies and make them less obvious.

I also learnt which problems I need to overcome before I will get the results I want. I think I probably need to use a large screen that prints a lot of my fabric in one go, so I don’t need to move it around too much.  Then when the screen needs to overlap a previously printed part I might have to dry that bit first with a hairdryer. Or maybe clean the paint off the screen before putting it down again for the next print. The screen can’t be too big, because my stencil cutter will only do a maximum of 35cm in width. That means a 150cm width of fabric will need 4 repeats, although when printing garments in the flat it will be less per cut out garment piece. Sounds more doable than lots of repeats.

And for those of you who wonder where all this is headed, here are a few pics of what is on my mind. I don’t have the skills yet but we all need to start somewhere!

Too Much is Never Enough

Well, actually, too much is just that, TOO MUCH. I would do well to remember this, as I am the sort of person who is always inclined to push the envelope, and there are times when I overdo it.

I know pretty much all of Lagenlook looks overdone to someone with more conservative taste buds. People talk of ‘the clothes wearing them’ or that they feel like a child playing dress ups with grown-up’s clothes. I could never understand that. Well, at last I do.

Need I say more?

Probably not.

Fortunately these are pyjamas, so the general public will never be any the wiser. And I absolutely love wearing them. As a matter of fact, I can barely wait to get into them at the end of the day because they are so comfortable. Not to mentions heavenly to sleep in. So all is not lost and I won’t be getting out my seam ripper. I should also mention that I need my pyjamas to preserve my modesty, as I don’t own a dressing gown. So I want them to cover me from head to foot, a requirement the above garments certainly take very seriously.

I made them out of a beautiful cotton sheet that was languishing in the back of my linen press because it is the wrong size for our bed. Difficult to see in the photo, but it is a lovely soft floral print with poppies. Yum. It will get a lot more wear this way than it ever would as a sheet. But I have a doona cover that is even prettier, that also doesn’t get used, and that I am planning to make it into sleep wear too. But I am going to have to come up with another style. 🙂

The scary thing is that the pyjamas looked quite ok just looking at myself in the mirror. This has once again confirmed my conviction that the mirror does not tell you the truth, the whole truth and nothing but the truth.

My home-baked theory why goes as follows. When you look at something, let’s say at a person standing in a room, you think you see all of this picture the same way, they way you would see it if it was a photo. But you don’t. The human eye can only see a small patch of the whole in focus, and it can only concentrate on this small patch at any one time. Of course you move your eyes around and your brain puts it all together for you, so you think you see the whole picture clearly.

But if you look at a photo, the photo is small. Chances are, that the whole photo will fit into that patch of your vision that is in focus. The person in the photo will be even smaller, so the chances to see this person in focus are even better.

But when you stand in front of the mirror, you can only concentrate on bits and pieces of the picture in turn. You never really see the whole clearly. Your brain puts it together for you, but it may be inaccurate. This is why dressing room mirrors are so deceptive. You get a better idea of how something looks on you if there is a mirror outside, where you can look at yourself from a distance.

The same applies to your mirror at home. If you have one where you can stand far enough away so the image in the mirror is quite small, you will get a much better idea of how you look. My mirror unfortunately is not in a position where I can stand far enough away, and at the moment this is not fixable. I will have to wait for another year until we have done our extensions and I have more room. Until then it looks like I am well advised to take a photo before hitting the great outdoors in one of my new creations if I don’t want to risk looking ridiculous.

Here is a more restrained version of the PJs.